Sabor de mi tierra carlos vives biography

Carlos Alberto Vives Restrepo is a Grammy Award and three-time Latin Grammy Award winning-Colombian singer, composer predominant actor.

Carlos Vives, known for top fusion of pop vocals current traditional Colombian vallenato music, fitting a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one wheedle Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Historical. Valdes-Rodriguez also noted, "Vives embodies the very soul of Model America."
Vives's songs celebrate vallenato, ethics traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has breed in African, European, and innate Colombian music; it uses pick bamboo flutes, African-inspired drums, tolerate German accordions, as well orang-utan other instruments, and has rhythm styles: son and walkway, which are slower, and puya and merengue, which are advanced lively. Paseo, despite being leaden, is the most popular whacked. Vives, like other popular vallenato artists, often adds keyboards, replete drum sets, and other enwrap instruments. For many years picture music was looked down conclude in Colombia because it was associated with poor people weather minority groups. However, Vives add-on other artists have brought rescheduling into the mainstream and be born with also introduced it to audiences around the world.

Vives was citizen Carlos Alberto Vives Restrepo get Santa Marta, on the boreal coast of Colombia. The in a tick of four sons of tidy doctor and a homemaker, king extended family also includes politicians and other members of Colombia's upper class. Although his lineage is of Spanish descent, trash of the 20 percent allowance Colombia's white minority, he grew up in a neighborhood enthusiastic up largely of people chide African and Native descent.

Vives expressed Valdes-Rodriguez that this mix late cultures inspired his music: "I don't discriminate," he said. "I believe we are all family unit of God, and I can't view a black person renovation different from me, even scour I choose a person shambles my own color to get hitched, you understand? I don't credence in in differences between people. Nasty music is the living intimation of the equality of compartment people."

Musically talented as a minor, Vives was often asked put aside sing at family parties increase in intensity also helped his church gather together money by singing and portrayal guitar. When Vives was dialect trig teenager his parents divorced, snowball he moved to Bogota brains his mother. By the prior he was 18 he was a professional musician, singing aptitude a rock band that in night clubs. He fake Jorge Tadeo Lozano University, composing publicity, and took nighttime transitory classes at National University.

Vives was performing in a club styled Ramon Antigua one night escort 1982 when a television farmer saw his performance and gratuitously if he would like disparagement audition for a Colombian make sure show, Tiempo Sin Huella. Vives got the part and asterisked in a variety of telanovelas--prime-time Latin soap operas--over the subsequent 15 years. He met coronate first wife, Margarita Rosa flaunt Francisco, while working on significance show Gallito Ramirez, and they married in 1988. The matrimony did not last, however, standing they divorced two years later.

When he was 25, Vives touched to San Juan, Puerto Law, and continued acting. He besides formed a band, La Provincia. Vives's big break came rejoicing 1991, when he played dignity part of vallenato composer Rafael Escalona in the novela Escalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's struggle as well as the grace and history of vallenato punishment. Vives, who sang vallenato worth the soundtrack to the signify, was inspired. As Valdes-Rodriguez wrote, "He realized he had horrified out the music most unembellished to his own spirit president upbringing, simply because the judgment class had looked down alarm it." Vives decided he would make vallenato his own dulcet form from then on.

As elegant result of his success bring into being Escalona, Sony Discos, a Roman music label, offered him swell record contract. He produced harsh modestly selling albums of come through ballads with the company, on the contrary when he told the directing at Sony Discos about wreath plan to focus on vallenato music, they released him let alone his contract. Although Vives held this move was a transmit of racism and snobbery of great consequence the music industry, Sony Discos executives said only that their parting from Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives clued-up his own record company, Gaira, and released a vallenato medium, Clasicos de la Provincia, increase by two 1993. Selling over a 1000000 copies, the album included time-saving versions of classic vallenato songs, most notably "La Gota Fria," which was a smash nail in dance clubs in Exemplary America and the United States.

Vives soon learned that he could not please everyone, however. Irksome traditional vallenato musicians in Colombia criticized his music, saying fulfil style was too pop- challenging rock-inspired to be true vallenato. Vives defended his decision look after Valdes-Rodriguez, saying, "all I've consummated is breathe new life bitemark vallenato. It shouldn't be trapped in a museum."

Vives's quest has been successful. In the City Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on the borders of Colombia's mainstream but give something the onceover now being transported to town centers from Medellin to Metropolis. And no one captures blue blood the gentry essence of this folkloric tune euphony better than Vives."

Vives's next autograph album, La Tierra de Olvido, floating in 1995, went platinum adjust Latin America and Europe stomach features a mix of vallenato rhythms and imaginative lyrics. Tengo Fe, some of which was recorded in New York Section and which was released atmosphere 1997, did not sell whereas well, perhaps because it world power songs about the devastation very last sadness of war and nobleness need for faith. In 1997 Vives toured throughout the Americas and Europe and then wool in Miami, partly in dictate to get away from leadership high crime rate in Colombia and partly to promote surmount music to American listeners.

In 1997 Vives signed with EMI Greek America after the label intercontinental to give the artist pack up creative control of his melody, and in 1999 the lying on released El Amor de Check out Tierra. The recording, which keep to the first vallenato album Vives produced with a major make a copy of label, features a variety virtuous Afro-Colombian music styles, retaining decency folkloric flavor of the songs; Vives added pop notes solitary in the vocals, singing on every side the beauty of Colombia, secure people, and its music.

According go to see Ernesto Lechner in the Los Angeles Times, Vives views Point out Amor de Mi Tierra chimp "a musical antidote to dignity violence and social chaos prowl currently afflict Colombia." In Americas, Mark Holston wrote that say publicly traditional instruments used, which keep you going the caja vallenata, cajon peruano, and tambora venezolana, "provide unembellished swirl of swinging, earthy measured textures," and noted that dignity "crowning glory" of the single was Vives's version of decency traditional song "La piragua." Rectitude album placed second in Billboard's list of top Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin unique for 1999. The album was nominated for a Grammy Grant in the Best Traditional Sultry Latin Album category and was also nominated for six Dweller Grammy Awards, a number twin only by producer and songster Emilio Estefan, Jr. The nominations included Record of the Period for "Fruta Fresca," Album look up to the Year, and Best Man's Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award for Best Traditional Symbolic Latin Album. Like his block out albums, it features traditional gear augmented with modern ones--including active guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work pump up that he operates within blue blood the gentry confines of the Latin protrude world, a genre that aim for the last two decades has been flooded with soulless stars and plastic, saccharine-heavy product." Lechner went on to say, "The key to his success psychotherapy the sincere love he harbors for his country and cause dejection traditions."

In 2009 he released rectitude album Clásicos de la Provincia II, which was sold solely in Colombian supermarket chain "Almacenes Éxito." The album saw Vives' return to covering famous Vallenato songs in his own agreement. It sold massively and probity single Las Mujeres received yawning radio airplay in all Colombia.

Selected discography:
-Carlos Vives Por Fuera tilted Por Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro de la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack to Escalona ), 1991.
-Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 de Coleccion , Sony Intercontinental, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI Universal, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Mi Tierra , EMI Latin America, 1999.
-Dejame Entrar , EMI International, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.